Works
  • Dianna Jazwinski, Blue Mood
    Blue Mood£ 1,995.00
  • Dianna Jazwinski, Chrysanthemums
    Chrysanthemums£ 1,995.00
  • Dianna Jazwinski, Composition with Blue
    Composition with Blue£ 1,995.00
  • Dianna Jazwinski, Composition with Dahlia I
    Composition with Dahlia I£ 1,995.00
  • Dianna Jazwinski, Composition with Lupin
    Composition with Lupin £ 1,995.00
  • Dianna Jazwinski, Dahlias and Friends Still Life
    Dahlias and Friends Still Life
    Sold
  • Dianna Jazwinski, Dahlias with Achillea
    Dahlias with Achillea £ 1,995.00
  • Dianna Jazwinski, Hellebores 'Picotee' and 'Winter Bells'
    Hellebores 'Picotee' and 'Winter Bells'£ 1,995.00
  • Dianna Jazwinski, Hydrangea II
    Hydrangea II£ 800.00
  • Dianna Jazwinski, In the Summer Garden
    In the Summer Garden£ 1,995.00
  • Dianna Jazwinski, Leaf Fall
    Leaf Fall£ 1,995.00
  • Dianna Jazwinski, Paeonia 'Coral Sunset'
    Paeonia 'Coral Sunset' £ 1,995.00
  • Dianna Jazwinski, Rose Garden
    Rose Garden£ 1,995.00
  • Dianna Jazwinski, Spring Collection
    Spring Collection£ 1,995.00
  • Dianna Jazwinski, Viola
    Viola£ 1,995.00
  • Dianna Jazwinski, Winter White
    Winter White£ 1,995.00
  • Dianna Jazwinski, With Narcissus
    With Narcissus£ 1,995.00
  • Dianna Jazwinski, Zinnia Garden
    Zinnia Garden £ 1,995.00
  • Dianna Jazwinski, Hydrangea I
    Hydrangea I£ 800.00
Overview

As a professional garden photographer, Dianna has supplied botanical imagery for over 20 years to magazines world-wide, such as Gardens Illustrated, The English Garden and Country Living, to name a few. Her own personal work grew in the form of dark botanical art, inspired by old vintage educational posters for their dark backgrounds and accurate detail, and the work of Pierre-Joseph Redouté, for simplicity of form.

Biography
As a professional garden photographer, Dianna has supplied botanical imagery for over 20 years to magazines world-wide, such as Gardens Illustrated, The English Garden and Country Living, to name a few. Her own personal work grew in the form of dark botanical art, inspired by old vintage educational posters for their dark backgrounds and accurate detail, and the work of Pierre-Joseph Redouté, for simplicity of form. She seeks to convey optimism with the message of ‘Light in the Darkness.’ Her photography career was borne out of a dark time when she began to study photography as a diversion and where an exciting new career flourished. Photographically, a dark background illuminates the beautiful textures, exquisite details, and colours of her florals; details we might miss as we walk through a garden. She also likes to work with local British flower farmers to source her subjects, believing that flowers that grow together, usually look wonderful together, proving that Nature is the best designer.
Exhibitions
Events
Art Fairs