Jason started his art career working on restoration projects like York Minster, Gloucester and Wells cathedrals as part of a stained glass apprenticeship. He quickly progressed onto design work which taught him to compose and stylise subject matter around a 'jigsaw' of painted glass - an approach that still drives his work today.

He tells us "I am fascinated by colour and work with a strong palette to create deep impasto effects with the paint.
I relish the often frantic nature of mixing and arranging the paint in thick impressionistic daubs, and submitting to a process that creates its own detail and form.
This forces me to be bold and decisive; it also produces a kaleidoscope of shape and tone (reminiscent of stained-glass) which portrays the ever-present movement and energy found in nature.
This approach creates a painting which, like the landscape, is constantly changing. So when you move around the room and the ridges of paint catch the light, there is always something new to see."
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